Notable Jams

Show Date SongArtist Venue Name City StateNotes
2024-10-16Woah ThereEggy Meow Wolf Santa Fe NMThe debut of Woah There wastes no time proving its DNA as an insanely mesmerizing dubstep freak-out jam vehicle.
2024-10-25Woah ThereEggy Spirit of the Suwannee Music Park Live Oak FLDeliciously stretches whilst inhabiting a pocket deeper than the Mariana Trench.
2024-12-31Woah ThereEggy Paradise Rock Club Boston MASearching, searing tones by 6 min. Nimble guitar and piano over a muscular beat at 9 min. The band builds tension and froths (dare we say, thrashes?) from 12-15 min.
2025-03-20Woah ThereEggy Met, The Pawtucket RIAn effects-driven jam. Jake Chase Bliss Onward digital tones, e.g. 5-7 min, add texture. Shift to Clav near 8 min as Alex drives a loose, pulsing groove. Additional Chase Bliss effects from Jake around 10 min. Simultaneously active and spare. Mike imbues form into the jam with a repeating figure from 11-13 min, and gets a "Mike and the Goodmans" shoutout from Jake after the tune.
2025-04-09Woah ThereEggy Lincoln Theatre Raleigh NCBrief digital effects from Jake near 4 min add dimension and weirdness. Teamwork to raise and build the jam after 5 min. Guitar doubles itself around 6-7 min, and Dani Moog tones occasionally ring out. Band harnesses peaks after 8 min to return to chorus.
2025-04-13Woah ThereEggy Barrelhouse Ballroom, The Chattanooga TNClav-tinged spare funk after 6 min. Moog drones as guitar doubles itself and swirls, e.g. 8 min, amidst sturdy groove. Ascends and rings out, with peaceful keys, e.g. 10 min. Fluid Jake play embedded in the engaging, rolling groove, and Mike keeps the low end interesting, as always, from 11-12 min before return to chorus.
2025-05-08Woah ThereEggy Viva El Gonzo San Jose del Cabo BSClav and chunky guitar as jam unfolds. Tired From Waiting-reminiscent effects after 5 min. Hazy and atmospheric play gains an edge from 7-8 min as Mike melodically anchors the improvisation. A burst of peaky Jake energy follows, then relents at 9 min.
2025-06-30Woah ThereEggy Dillon Ampitheater Dillon COPushes boundaries from within the Woah There framework from 6-9 min before unleashing into a crash cymbal-led groove. Active bass and synth effects galore as Jake cooks, e.g. 10-11 min.
2025-07-22Woah ThereEggy Brooklyn Bowl Brooklyn NYBluesy guitar exploration after 4 min over the pulsing rhythm. Peaceful keys at 5 min initiate a back and forth, which finds a samba-esque space by 7 min that is lovely. Layers of swirling guitar follow and continue to dance around the keys, e.g. 9 min.
2025-09-10Woah ThereEggy Bender Jamboree Las Vegas NVAlex steers jam in a rhythmic direction, e.g. 3-4 min, alongside twangy guitar touches. Clav compliments and then mirrors Jake's play at 5 min. Band hits a Mike-sponsored, thumping groove at 6 min with organ peels and fluid guitar soloing. Guitar and bass acutely draw out the tension from 7-8 min and work in the space between tension and peaks right up to the chorus reentry before 10 min.
2025-09-30Woah ThereEggy Bearsville Theater Woodstock NYPiano runs from Bruce Hornsby decorate the vocals nicely, e.g. 3 min. A patient, descending figure from guitar and both keyboardists around 5.5 min perks to a thumping groove, turning inquisitive. Gorgeously descends, again, from 7-8 min, and Hornsby's touches lend depth and heart. Jam morphs to a groove with intertwining bass, searing guitar, organ, rolling drums, and piano dashes. Finds that descending motif, albeit very briefly, a third time on the way back to the chorus.
2025-11-01Woah ThereEggy Cervantes Masterpiece Ballroom Denver COGroove morphs via Jake sustain and Alex tom fills at 7 min to patient, descending space, then flips to brighter, cymbal-soaked sound with piano. Improvisation coasts to a crest around 10 min. Shallow Rivers hints follow, briefly, before whistling guitar effect harnesses things and makes space for delay drum effects. Breaking the Horse teases before 13 min as drums approximate shuffling, stereoscopic terrain. Devolves into eerie, bubbling, shimmering effects to segue to Skin It Back.
2025-11-07Woah ThereEggy Scoot Inn Austin TXGuitar sustain and Chase Bliss Onward blips turn into ethereal momentum after 6 min. Synth melodies mesmerize and mesh with guitar effects. The band pivots to darkness after 9 min and creates a howling and cacophonous soundscape. Piano and searing guitar approach a peak from 13-14 min, then tap the brakes in a syncopated, percussive way. Turns playful at 16 min and briefly launches a new groove. Bass and guitar swirl together over a snappy, synth-soaked groove before a segue to Breaking the Horse.
2026-01-16Woah ThereEggy Tree House Brewing Company Deerfield MAOff-ramps from Woah There via delicate guitar, keys, and bass over spare drums at 10 min. Rhythmic, staccato play conjures tension, with digital synths and a dark groove. Brightens and swings by 14 min; digital accents add complexity. Team-oriented melody expands after 15 min with bounce. Buoyed by Chase Bliss Onward blips, Wurlitzer contributions, and active bass and drums, this feel-good passage lasts 5 min and is glorious. Pivots to a jam on The Other One before 21 min. Pivots to reggae vibes to finish.
2026-01-23Woah ThereEggy Panic en la Playa Riviera Maya QRLayered, digital synth work early. Economical guitar lines, e.g. 8 min, tweak the trajectory, and hints of Breaking the Horse surface one minute later. Fluid bass and guitar intertwine with piano, then ballooning synths, to initiate a peaky stretch. Mike's play before 12 min shines especially bright.