This Songfish subscription has expired


Notable Jams

Show Date SongArtist Venue Name City StateNotes
2024-10-16Woah ThereEggy Meow Wolf Santa Fe NMThe debut of Woah There wastes no time proving its DNA as an insanely mesmerizing dubstep freak-out jam vehicle.
2024-10-25Woah ThereEggy Spirit of the Suwannee Music Park Live Oak FLDeliciously stretches whilst inhabiting a pocket deeper than the Mariana Trench.
2024-12-31Woah ThereEggy Paradise Rock Club Boston MASearching, searing tones by 6 min. Nimble guitar and piano over a muscular beat at 9 min. The band builds tension and froths (dare we say, thrashes?) from 12-15 min.
2025-03-20Woah ThereEggy Met, The Pawtucket RIAn effects-driven jam. Jake Chase Bliss Onward digital tones, e.g. 5-7 min, add texture. Shift to Clav near 8 min as Alex drives a loose, pulsing groove. Additional Chase Bliss effects from Jake around 10 min. Simultaneously active and spare. Mike imbues form into the jam with a repeating figure from 11-13 min, and gets a "Mike and the Goodmans" shoutout from Jake after the tune.
2025-04-09Woah ThereEggy Lincoln Theatre Raleigh NCBrief digital effects from Jake near 4 min add dimension and weirdness. Teamwork to raise and build the jam after 5 min. Guitar doubles itself around 6-7 min, and Dani Moog tones occasionally ring out. Band harnesses peaks after 8 min to return to chorus.
2025-04-13Woah ThereEggy Barrelhouse Ballroom, The Chattanooga TNClav-tinged spare funk after 6 min. Moog drones as guitar doubles itself and swirls, e.g. 8 min, amidst sturdy groove. Ascends and rings out, with peaceful keys, e.g. 10 min. Fluid Jake play embedded in the engaging, rolling groove, and Mike keeps the low end interesting, as always, from 11-12 min before return to chorus.
2025-05-08Woah ThereEggy Viva El Gonzo San Jose del Cabo BSClav and chunky guitar as jam unfolds. Tired From Waiting-reminiscent effects after 5 min. Hazy and atmospheric play gains an edge from 7-8 min as Mike melodically anchors the improvisation. A burst of peaky Jake energy follows, then relents at 9 min.
2025-06-30Woah ThereEggy Dillon Ampitheater Dillon COPushes boundaries from within the Woah There framework from 6-9 min before unleashing into a crash cymbal-led groove. Active bass and synth effects galore as Jake cooks, e.g. 10-11 min.
2025-07-22Woah ThereEggy Brooklyn Bowl Brooklyn NYBluesy guitar exploration after 4 min over the pulsing rhythm. Peaceful keys at 5 min initiate a back and forth, which finds a samba-esque space by 7 min that is lovely. Layers of swirling guitar follow and continue to dance around the keys, e.g. 9 min.
2025-09-10Woah ThereEggy Bender Jamboree Las Vegas NVAlex steers jam in a rhythmic direction, e.g. 3-4 min, alongside twangy guitar touches. Clav compliments and then mirrors Jake's play at 5 min. Band hits a Mike-sponsored, thumping groove at 6 min with organ peels and fluid guitar soloing. Guitar and bass acutely draw out the tension from 7-8 min and work in the space between tension and peaks right up to the chorus reentry before 10 min.
2025-09-30Woah ThereEggy Bearsville Theater Woodstock NYPiano runs from Bruce Hornsby decorate the vocals nicely, e.g. 3 min. A patient, descending figure from guitar and both keyboardists around 5.5 min perks to a thumping groove, turning inquisitive. Gorgeously descends, again, from 7-8 min, and Hornsby's touches lend depth and heart. Jam morphs to a groove with intertwining bass, searing guitar, organ, rolling drums, and piano dashes. Finds that descending motif, albeit very briefly, a third time on the way back to the chorus.
2025-11-01Woah ThereEggy Cervantes Masterpiece Ballroom Denver COGroove morphs via Jake sustain and Alex tom fills at 7 min to patient, descending space, then flips to brighter, cymbal-soaked sound with piano. Improvisation coasts to a crest around 10 min. Shallow Rivers hints follow, briefly, before whistling guitar effect harnesses things and makes space for delay drum effects. Breaking the Horse teases before 13 min as drums approximate shuffling, stereoscopic terrain. Devolves into eerie, bubbling, shimmering effects to segue to Skin It Back.
2025-11-07Woah ThereEggy Scoot Inn Austin TXGuitar sustain and Chase Bliss Onward blips turn into ethereal momentum after 6 min. Synth melodies mesmerize and mesh with guitar effects. The band pivots to darkness after 9 min and creates a howling and cacophonous soundscape. Piano and searing guitar approach a peak from 13-14 min, then tap the brakes in a syncopated, percussive way. Turns playful at 16 min and briefly launches a new groove. Bass and guitar swirl together over a snappy, synth-soaked groove before a segue to Breaking the Horse.
2026-01-16Woah ThereEggy Tree House Brewing Company Deerfield MAProlonged intro. Off-ramps after 10 min via delicate guitar, keys, and bass over spare drums. Rhythmic, staccato play conjures tension at 12 min; digital effects and a dark groove take hold before play brightens and swings at 13.5 min with ethereal digital accents. A bouncy, team-oriented melody emerges by 15 min and is buoyed by Chase Bliss Onward blips and active bass and drums. This feel-good passage lasts 5 min and is glorious. Pivots to a jam on The Other One before 21 min, finishes with reggae vibes.
2026-01-23Woah ThereEggy Panic en la Playa Riviera Maya QRLayered, digital synth work early. Economical guitar lines, e.g. 8 min, tweak the trajectory, and hints of Breaking the Horse surface one minute later. Fluid bass and guitar intertwine with piano, then ballooning synths, to initiate a peaky stretch. Mike's play before 12 min shines especially bright.
2026-04-01Woah ThereEggy Rebel Lounge, The Phoenix AZFamiliar sonic territory of Woah There loosens from 6-7 min and a thumping, crunchy figure unfurls. Warbly synth decorations mesmerize, e.g. 8-10 min, before a segue.
2026-04-14Woah ThereEggy Commonwealth Room, The Salt Lake City UT Guitar delays and synths mesmerize from 8-10 min. Cascading, vibrant groove from 11-13 min shifts via guitar sustain, synth bass, and drum fills. Pivots after 16 min; Jake births a chunky, repeating riff, passes it to Mike at 19 min, then solos over the beat. Band taps the brakes, flirts with Trixieville, then forges ahead to a moody, foreboding section that grows half-peaky and cacophonous from 23-27 min. A minor key, Fuego-adjacent passage punctuates the journey.
2026-04-17Woah ThereEggy Brooklyn Bowl Las Vegas NVDeparts from form after 7 min; guitar and synths swirl together. Snappy groove encourages a brief rise, complimented by bright piano tones and bendy guitar delays, e.g. 9-11 min. Bass and drums in sync after 11 min to point the jam in the direction of an I Am Trying To Break Your Heart segue.
2026-05-14Woah ThereEggy 3S Artspace Portsmouth NHPulsing and driving early, e.g. 6-7 min. A longing background keyboard motif guides jam to a quicker section near 8 min where Jake and Mike work connected melodies. Tired From Waiting teases from Jake at 11 min. Pensive guitar lines, in space, near 12 min gain fluidity and reach anthemic status over a feel-good rhythm, e.g. 16 min. Whole band is tastefully cooking. Moog sweeps and organ touches at 18 min as jam settles. Quiets, exquisitely, to segue to Thorns.
2026-05-22Woah ThereEggy Harrah's Resort Atlantic City Atlantic City NJIn a brooding-yet-kinetic zone early, e.g. 5-7 min, then a pensive shift. Subtle drumstick work from Alex after 8 min. Plucky guitar and Wurlitzer play, e.g. 9 min, trends fluid as it organically rolls into a blissful, half-peaky zone before dropping back into Woah There.
2026-07-04Woah ThereEggy High Sierra Music Festival Grass Valley CAEmerges from Woah There after 5 min with reverberating synths and circular guitar figures. Chase Bliss Onward digital blips and synth bass effects near 7 min curate a fresh sonic space. Jake and Mike interplay follows before stop-start drum work from 8-9 min. Piano lures guitar riffs into fluid terrain before 10 min and the band coalesces around a brief rise that's punctuated by synth effects from Dani.
2026-08-06Woah ThereEggy Stowe Cider Stowe VTExpands after 8 min into rhythmic, reverberating terrain. Stays muscular but opts for brighter tones around 10 min. Wurlitzer leads to a subtle sonic shift near 12.5 min and we're rewarded with a delicate Dani solo until a return to vocals.